An e-zine for happenings of local culture in Milwaukee and elsewhere

Archive for October, 2019

Thieves of Fortune, Cactus Club, Endless Era

Radio Milwaukee had a spot recently with beabadoobie discussing how inexplicably some musicians with phenomenal projects toil and toil and never quite break through, and how others miraculously gain instant notoriety.

A recent live effort by new kids on the scene Endless Era gave show-goers the feeling this trio could vault straight to insta-hit status or run the well trod path a mega cool cult synth pop act that never quite climbs from under the shadows of the local music canopy.

They cut their Cactus set with an inspired play of their winter 2019 single Mine. Blake Akers just devastated the final drum transitions in a way that very few can open up, sending Jon Eleyet and Caleb Rogers into a controlled rage to bring Mine to its crescendo.

Spicing up the Recipe

It wasn’t so much that the song conjured a groundbreaking new sound, Mine is basically variation of the pop synthwave formula: rising drums, thick down tempo key board, thinly layered guitar melody with a tad of mod distorted amplification, always delicious. A certain moxie and sense of performative urgency set Endless Era apart. How they progress from their new-band honeymoon will be worth staying tuned, hope they stick around for awhile.

Endless Era’s 2019 single Mine is available on bandcamp.

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Permanent Press, Village Playhouse, The Clean House

Matilda (Emily Condon) bounces about Lane’s house taking life in stride while she battles an extended case of the mopes. She recently lost both her parents and has found herself a Brazilian transplant in America doing the thing she hates worst for a day job, cleaning.

“Laughter cleans the insides,” Matilda announces halfway through our encounter enmeshed in the fateful intersections of human paths that The Clean House dramatizes.

A Life Deferred

Matilda inherited comedy from her mother and father, who shared the wonder of laughter with her from the day she was born, but left her wanting on the day they died. Matilda carries this void along when she enters Lane’s crumbling personal life as her live-in maid.

Lane (Jackie Benka), once a charmed doctor who hitched up with a surgeon, now grasps desperately to hold her strained marriage. The controlled demolition of Lane’s personal life gives this story a hub of morbid ironies to find humor and wisdom in.

Active Bystanders

Lane’s bored and nosey sister Virginia (Kathy Landry) regularly comes poking around and stirring the cauldron brewing in Lane’s house that Matilda already has swirling with her mercurial ways. Matilda and Virginia make a odd match of confidants as Virginia’s love for cleaning and small talk meets Matilda’s need for an ear and a pair of industrious hands to save her from Lane’s chores.

Virginia prophetically proclaims the reason behind her devotion for cleaning, “How else are you going to catch your husband cheating.” Commiserating over a basket of Lane’s freshly laundered undergarments, Matilda and Virginia’s symbiosis naturally discovers evidence of Charles’s (Joseph Ellman) infidelity.

Dirt-tinted Senses

Without her cleaning crew’s help, Lane’s rigid intelligence allows her to deduce the symptoms of her failing marriage. When her husband finally comes clean, his stilted and clinical rationalism allows his mouth to supply her a defensible alibi – er, explanation.

He gathered his conscious clearing pass from the cultural repository of public radio no less. Tuning in there, he learned that finding his soulmate Ana (Sam Billek) while removing her cancerous breasts obligated him to be with her. Charles obliviously attempts to share his joy with Lane, with Virginia and Matilda gazing in awe, arriving at her house accompanied by Ana.

As these five lives entangle further, the audience explores several aspects of love’s elusive, unquantifiable presence in our drive to exult in our lovers with our talents, bitterly let them go forever, transact with them steadfastly in daily exchanges of love languages, or unselfishly tend to their last wishes.

Solid State

A Village Playhouse production, Scott Sorenson’s take on Sarah Ruhl’s story succeeds in creating a well-set, snicker inducing mellow drama. Type-blind casting works here as the players come as they are, betraying and remolding stereotypical imagery this play runs the danger of eliciting, giving the characters a new lease on life.

Credits go to The Clean House’s producer Erico Ortiz and creative team Jennifer Lautz (Lighting and Sound Designer), Nikki Maritch (Costume Designer), and Sorenson (Set Design).

The Clean House runs at Inspiration Studios in West Allis through October 13 with evening shows Friday and Saturday October 4, 5, 11, and 12th at 7:30pm and Monday matinees October 6, and 13th.

Inspiration Studios’s quaint confines sit on a corner just South of 73rd and Greenfield, 1500 S. 73rd Street, West Allis, WI 53204.