Stormy Surfer, BVGN, Hide House, Tegan Andrich


In the undergrowth of the Hide House, creative spores germinate in a first floor alcove, a respite for a few recent MIAD products. Spring Gallery Night in Milwaukee gave them a chance to showcase their toils, carving dedicated display space into sections for each studio mate’s work. Bay View Gallery Night may prove more of a debutant dinner party.

One wall stood out. Sparse and drained, outlines of a horse’s head vaguely pressed against the art paper’s surface. Other mammalian taxidermy busts stuck to the wall as well. The strokes appear once over and the chosen colors contrast muted purple shades adjacent to white. Why do I like these? Maybe the concept? Tegan Andrich has conjured these images as game hunter would aim, fire, kill, lop off a trophies head, stuff and mount it on a wall, brutal and decisive.

Another of Andrich’s paintings, braced over the canvas stretcher bars, holds a large format. Loosely defined, the composition’s meticulous figurative themes finish craggy, defining the outermost edges sometimes with a blur of paint. The center-most portions of the painting render blindness, conspicuously possessing a subtle and thoughtful wash.

Searching for a reference in Andrich’s work to an art movement, led me to Dee Ferris, a cagey contemporary artist in the UK. A now defunct indie art mag Under/Current had one of the only early written reviews out there of Ferris’s work. A exceedingly well-composed critique by Yannis Tsitsovits suggested a possible stylistic answer, a Russian literary device: ostranenie.

Bay View Gallery Night runs tomorrow at various locations through out Bay View including the Hide House.

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