A muralist and exhibit designer by trade, Atilano admits that painting in this format is a relatively new foray. A metal putty knife scoops and spreads florescent and pastel acyrlic into place. It sticks in angular patches, guided by line. In other works, splashes of contrasting colors highlight and make knowN their abstract intentions.
Munching dramatically, these works keep you looking. Philip Atilano measure his aesthetic with specific gravity.