Making a few waves only takes one big ripple. Marty McDoom gradually builds his repertoire of music, adding tracks to his under-the- surface hip-hop playlists regularly. Marty McDoom recently dropped a EP demo online called Super, Ultra. Hey… McDoom might be on to something, Local Trolley got a chance to exchange a few words about his progress towards breaking his sound out.
Fuck it, I’m Depressed, Marty McDoom
L.S. Trolley: What best describes your style… hot water on a hot day or cold water on a cold day?
Marty McDoom: I’m Like….uh…uh…cold water on a hot day (laughing), Perfectly slightly colder than room temp water on a hot day..(laughing).
LT: You put out some EPs recently, dark themes, but still listenable, were you surprised by how they were received?
MM: Yeah they did pretty good for completely random projects. I tried to really capture my thoughts and what was going on in my life at the time and people responded pretty good to it all. I knew that i couldn’t be the only person who has those thoughts or has those feelings. I made them to be an accurate depiction of myself at the time, and relate-able.
LT: Yeah, in hip-hop emotions are basically to be avoided, even truth, I was listening to the Mad Kids on WMSE tonight and they were getting on Rick Ross, joking that he was a probation officer at one time or something, [quite] opposite of his persona. Rick Ross is one of the biggest out there, do you feel pressure to make music that responds to this tendency?
MM: I’m totally against this pressure…I think this “pressure” is whats killing Hip-Hop, no one feels free to be themselves, everyone is trying to live up to these expectations and normalities of what a hip-hop artist is suppose to be and represent, its all wrong…completely f*cked. If you ask me, instead of being an expression of real life , real thoughts and feelings, and real issues, its become a big advertisement. One huge show and tell of everything your suppose to want and want to be, but its all bullshit…f*ck a chain, f*ck a nice car, f*ck money. I mean that’s all nice, and should be a by-product of your success but it shouldn’t come as a replacement for reality.
LT: What was the hip-hop moment that pissed you off the most in this era… the one that gave you the, “man this is #$% ##%% #%…”
MM: It sounds cliche…but when they turned Kanye into a social villain for being spontaneous at that award show, at Taylor Swift’s expense… that’s the [real] reality and the flare we need back in not only hip-hop…but the world…everything is becoming so scripted, its lame.
LT: Oh ok it was the act of spontaneity, I’m surprised they didn’t tackle him [on stage]. Obama called him an ass for that, what was your take? Did you agree that Beyonce’s song was really better? or [fill in the blank]…
MM: Nah…he wasn’t an ass…He was just out of place..and drunk [laughing]. I never saw Beyonce’s video… Could care less to be honest. Think about it, who let him up there? A huge award show and no security? Fuck that..they let him up there… They just didn’t know what he was gonna do. He shocked all their asses [laughing]. Personally, I laughed for days.
LT: Do you see any hope for Milwaukee harboring scenes friendly for your flavor of music. Right now it’s really street or really traditional style battle rap.
MM: Not really no….but I love Milwaukee enough to know that it’s not all about Milwaukee. People are really receptive to my music in other places, other States to other countries. Once everyone else loves you…then Milwaukee will.
LT: Good getting a chance to hear some words from the mind for a few, any parting words for the fans?
MM: Stay tuned…Got a lot of cool music in the works, a lot of big things happening…No spoilers as of yet, but improvised sound is definitely in the works…!