Moving over dumb, Orcanine Alley, henceforth known as Orcanine Abbey, joined the motley gang supporting sell-outs, out-of-space pickers and desperate exhibitionist. In slacker-esque form, after Spring Gallery Night 2012 wrapped-up, Orcanine Abbey opened up dimly to launch its contribution to the mash-up Milwaukee’s art scene has coagulated.
Cool Art Please
Visually, varied and meticulous renditions of literal and figurative expression held a reflection of artist Lindsay Marx‘s mind on the wall-space. Spanning from realist plein air architecture to whimsical, and not so whimsical, contemporary projections of raw emotion, medium aside, Marx’s visual-points were made emphatically with several paintings and illustrations.
The Skrauss paints from a place seldom found by minds of ordinary cognition. Oversized canvases hold his broad but detailed brush-marks that leave deliberately gigantic comic-strip worthy scenes on a singular enlarged frame. A visual space left for blanks to be filled by your own personal dialog-ballons brings interaction to the otherwise stationary medium of painting.
Not On Mute
With music for manics, and fanatics in tow, The Manual Controller, offered a set of improvised blips and blaps live, with a sparsely lavish guitar escort.
Orcanine Abbey periodically opens to the public.
Secret Lover, Unpop Art Show, Orcanine Abbey, http://wp.me/p1hPwN-1lU
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