I’ll never get used to the receding daylight suffered by fall changing to winter. The premature darkness did allow the new inhabitants of Truly Spoken’s old space to feature their fine vintage replacement framed window glass under studio lighting. There’s a market around here for that huh? That’s the kind ingenuity you expect to see these days unfortunately. Nice to see someone making lemonade out of it.
Keeping with its long-suffering reputation as the hotbed for everything an urban cross-roads should have, Riverwest proudly watched one of its more established artist venues, Jackpot Gallery, open a new show titled Nicotine Bliss. The Jackpot Gallery show opened November 9th and helped demonstrate the robust bandwidth Milwaukee’s art scene has achieved; The Portrait Society Gallery’s unveiling happened to be on the same night attracting a whole different crowd.
via AnthonyMikkelson on YouTube
Unsel Fish Guild
Headlined by no-one in particular, 14 artist shacked up on Jackpots’ walls for Nicotine Bliss. Pieces touched on traditional forms of painting and print-making, and went guerrilla, pop and re-purposed.
Anthony Mikkelson minds the design spaces ACME and Used Car Studios shared his insights on the sights from his world and beyond. Several of his pieces presented illustrations of characters, objects and street-scapes endemic to urban areas. Channeling folk-artsiness for a few pieces, ACME scrawled deliberately on reused objects such as wood board and LP liners, leaving urban artifacts and relics of this current age.
Gregory Martens went ballistic depicting the end of days in series of prints that stopped time in several locales spread far and wide across the continents. As the rapture occurs, the sights, sounds, and amazement of that moment culminate in natural, celestial and symbolic realms colliding with known and unknown forces amidst the final cataclysm. Martens brings this world to our un-believing eyes applying print-making techniques to oversized paper.
A Matter of Medium
As much about the final product, as the method of reaching the consumable image, the works comprising the Nicotine Bliss installation all share the desire to go new places, off-canvas, and away from acrylic paint. Paul Kjelland really stood tall applying hand cut paper techniques.
With a precise razor blade, Kjelland took two very pop images of youth doing youthful things and simulated posterizing effects on them, with cuts leaving only the essential details of the image, then coloring them with a glazes of spray paint until the images looked as if they could be stills from A Scanner Darkly.
Contributing healthily to the Nicotine Bliss show also were Lindsay Marx (a painter of growing infamy), Brad Warsh, Lois Galvez, Levon Turner, Ahmad Kearney, Ella Dwyer, Max Senesac, Kellen Kroening, Jenna Wilson, Joshua Carol and Kate Luscher.
Nicotine Bliss tears down November 27th.
via FritsisNietzsche on YouTube