The irony of robots is that they are kind of low tech now. In Brian Rott’s latest amalgamation of ideas, props, plot and actors Robot Cabaret, we find out that quite possibly robots have feelings too.
Extraordinarily imaginative, Rott, in creative tandem with Michael Guthrie, centers an underlying point of tension around a Robot Detective that seeks out and dismantles fritzing robots that are passing around a terrible virus. In this robot world, companionship develops between human and machine, as robots of various persuasions, interests and intelligence seek to emulate the best humans have to offer; or wait do the robots want to rid the planet of humans and keep the highest points of human invention preserved in exacting semi-conducted binary logic?
The best thing about Quasimondo’s productions (Robot Cabaret being no exception) is that they spin fractal like stories, within sub-stories within metaphorical vignettes, woven into loosely devised plots that don’t follow a logical or sequential pattern, their plays at least don’t seem to do so until you get home and say silently, “oh”. Most likely you’ll just have had several dramatic flashbacks to some completely outrageous joke that you missed live.
Quasimondo’s full commotion multi-sensory response inducing hijinks, always stack the shows with ample pop culture references and true renegade efforts from very talented performers of many different corners of stage art. Robot Cabaret even has guest cameos from famous imposter musicians of various glory ages that a conniving salesman has put his robot minions up to studying so that he can make sideshows out of them. Bits and jokes galore litter the show, spewing from human and robot alike, and backed up by a house band… a house band? Yes!
If you’re into theater, nothing can bring more enjoyment than not knowing what to expect next from the next scene, or part of a dialog. Robot Cabaret far exceeds this threshold and the ensemble is an attractive bunch to put a bit of icing on the show.
The Quasimondo’s Robot Cabaret opened Thursday night and runs February 16, 18, 21, 22 and 23 and the following weekend all at 8p at the Fortress. There’s also a Matinee show on February 24 at 2p and pay-what-you can on February 18. Advanced tickets are available.
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