I’m stepping on a thousand cigarette butts on the way in, it’s not dark and smokey in the Cactus Club anymore, but still a little dank on the music side. Someone on staff managed to keep a VHS tape of an old Arsenio Hall episode featuring N.W.A from being magnetized after all these years and its playing on wall-mounted t.v. monitors, nice.
Among the sippers, a sturdily built dude stands-out reviving shades of Trugoy during the Daisy Age crossed with Starski. If any one has a license Busdriver does, his pops wrote Krush Groove. Plus looks can be deceiving, Busdriver’s styles on the mic don’t need image to generate uniqueness.
The Un- to Fame
A musical dervish, Busdriver worked whatever electronic synth-instrument he was hovered over like a steering wheel to jerk the crowd through audio turns, unbelievably speeding up a Scott Joplin riff and ripping it on Me Time and, on Imaginary Places, annihilating a track that sounded familiar to the classic Beasties‘ Floop Loops sample, right after swinging out of a dub Reggae toast.
Busdriver himself is an unsung classic, notably contributing to the Aceyalone-led Project Blowed, way back then, and completed a better know collaboration with Daedalus, worth checking out even if you’re behind the indie-hop scene.
Check out this 10 year-old baby
Something newer for your knew
Milwaukee’s got the Catus
Busdriver did it up setting the Cactus Club stage for Astronautalis, an indie-fun-twirl group that mashes up the music spectrum really well, while highlighting how formulated mainstream hip-hop as a sound has become. Digital music producer Jel was scheduled on the undercard, didn’t her him live, however fluid, harmonic, ambient beats deserve a mention anyway. Milwaukee got a real treat before Busdriver and Astronautalis make their way to SXSW.